JERRY SALTZ 
Now, I love the writings of Jerry Saltz, did I mentioned that? Well, I do, don't I. Although pushing the limits of logic, I very much enjoyed reading his "NO NEXT CHELSEA" in the October issue of Modern Painters. He applies Darwinist methodology on the art scene by claiming not only that most art is bad, and that when you react positively to one show, he might react differently, and he does so with bravura(??) debating that NY will experience problems when the prices in Chelsea will raise the next decade or so and force everyone to learn German. Anyway. He tries to explain that most shows are bad in a 6:1 ratio, 85% are bad and 15% might be ok. Without any further ado he states that this ratio may very well be a natural law, "brilliant, absolutely Darwinian survival mechanism."
Anyway, he makes a fantastic argument for this as he explain how this good: bad ratio of show have to be true, because if not "([...] the Leipzig scene would be the best in the world since, according to the moneybags who buy every painting made there simply because it was made there, no bad painters exist in Leipzig.)"

I rest my case.


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Forgot: Unitednationsplaza 
M6 was cancelled. Nobody can deny that, but the ideas used in the making of are in circulation still. One of the largest onces are founder of e-flux : Anton Vidokle (hear radio-interview here (as a part of a project form the curator-students in Amsterdam last year)).

His project in Berlin explains itself as an exhibition as school: unitednationsplaza.

It sounds ok, but to be honest; same persons as through the whole 90*ies, just new context. Might be good, could also be a bit boring.

Because I really like the idea of the curatorial team, and I really like some of the projects that Vidokle has produced or organized as a part of e-flux. I wish him the best of luck this weekend and I hope that unitednationsplaza turns out good.



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