the best 
I have found the blog I am longing for, the blog I always wanted to read. It got the perfect protagonist: a female young art worker, nerd and buzzÿ bee working hard, in the same part of the world as I. It is updated daily, it is part art world gossip, part serios, part update on the news front, project descriptions, statements, comments on different things and a clear cut "I-am-an-art-world-maniac" profile. I am loving every single sentence. Actually, it is the blog I would write if I was half as good and a even near that well connected and updated.
It's like reading from someone you love and have dear, someone you know for a very long time - like a sister or a lost friend.
It's recent posting includes themes like the exhibition African Remix, Frieze Art Fair, Art Forum Berlin (long, very long and very subjective - mixture between the anal Scene and Herd of Artforum and personal letter/ email), David Elliott's predecessor at Mori Art Museum (Fumio Nanjo), about Kunsthalle Basel's Adam Szymczyk curating the next Berlin Biennial, hints and tips about the best art critics around (Searle and Saltz if you wonder) etc.

It is a great blog. the best around.

why I do not link to it?




Hidden Blog
This blog is "hidden" as in: you cannot search it on any search-machines or find it by looking for it. I'd like to keep it this way. This is a blog created for myself to be able to just post shit on my mind as a kind of therapy almost. Don't want to become a pro with this, I'd like to keep it simple, so IF you do send the link on I won't like it even though I can't stop you from doing it - I'd like to make it clear that this is NOT an official blog, I only post things related to myself in a very informal and easy way. I don't want other than very good friends to read this. I am not going to update on a regular basis. I am not going to be a "real" blogger, I'm just gonna keep the diary-thing going. AND I'm gonna talk about stuff that ONLY myself could possibly be interested in, I'm not gonna start adapting the content to any possible readers other than just as large art nerds as myself. So - please be careful with passing the blog-address on, will you? And if you do: please be selective...? Thanx!
posted by ****** at 7:06 PM


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one more good thing 
Brian Sholis is mentioning that The Andy Warhol Foundation for the Visual Arts, Inc. are going to start a program called "Andy Warhol Arts Writing Initiative": where they are going to strengthen the role of the writer in todays contemporary art world.

This is good news.



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the turner prize 
The difference between Europe and America is rather large, I know that much, and that some artist that they "over there" find essential might in my view be provinsial or boring. But without being arrrogant, I thought that Simon Starling, the winne of this years Turner Prize, was at least a known name by art geeks in the States. After all, Daniel Birnbaum wrote a text on him in Artforum just one year ago (might need a )bugmenot to enter site). And after all, he was nominated for the last Hugo Boss Prize (won by Rirkrit Tirivanija, 2004).

I might be overreacting on a innocent "Simon Starling (who?)" "Simon Starling (who?)", but it did sound sort of strange that Starling in not known by Gibson. I might be mistaken.

---
read: Charlotte Higgins account on the winner in the Guradian.

links:
paperholic has a few other links, among them to a streaming interview with Starling

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Gran Masters of art 
I came over the excellent blog Grammar.police as I was doing my blog-blog for the Norwegian art critic journal Kunstkritikk.no. It is run by Kriston Capp, who is now writing a blog for Smithsonian American Art Museum named Eye Level.

One of the first entries is about Ben Davies great review about the chess exhibition at the Noguchi Museum.

Since Capp made an extended list and asked readers to extend it, so I would like to add:

- Arnold Schönberg


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about subjectivity and google hitrate 
I guess I am not single-minded. I guess that is good. I guess that is less good for my google hit rate. Not that I care. This site is not meant to become a popular blog, or at least I am doing no effort to make it more attractive or easier to reach. I guess that means it is a non-commercial blog? I am however hoping that those (any) of you that reads it (un/frequently) have a certain interest in it. I am not Tyler Green, I am not a journalist and I am not doing much updating on the arts life in Leipzig -- altough I live here. I should tell more about Leipzig and it's art life. Starting on Wednesday. I promise.

My hit rate at google (is it at all possible to find this blog without knowing the link og going through )vitakuben ? I do not think so. thats good. The idea was to have a space online (means someone could read it) that would force me to write some lines now and then. The blog also fits into the concept of Vitakuben the way it is today: underdeveloped and strange. We have done no projects since the oVERstation project (see http://ah.vitakuben.org -- click on oVERstation), and the only one that is doing something with his pages is Aksel (AH). The others (kjersti Bergesen and Nicolai Høgenhaug) are doing next to nothing online (As it happens, Aksel is the onlyone that do now how to program...)

But back to my writing. I do not write that good, not good at all if you ask me. I think the only reason why I am wanted at all by Norwegian (and some foreign mags) is that I do know a few people and I always hear the news early on (when it comes to Norway that is, when it comes to international new within the art world I am probably one of the first Norwegians to read about it, either by friends and contacts or by reading magazines, newsletters and other related written material ). Blogs, I do read a great deal of blogs. not all of them listed in my blogsroll, by there are a few that I read.

But one thing is to want to do something, another thing is to be able to live from it. I cannot live from writing and I know very few people that is independent and being able to pay their bills from writing. I know they do excist, but the marked is just not large enough. That combined with the fact that magazines
a) want many independent writers and
b) do not want to pay that well -- or cannot pay very much -- makes it difficoult to live from writing about contemporary art in a non journalist fashion.


The last two weeks I have been selling advertisement for the online magazine
kunstkritikk, building up a network within Norway, doing some chance, spam-like mails to more international magazines and institutions landing a deal with a few institution and a few international (as in: not Norwegian). That was fun. Organizing was fun. much more fun than writing.

And I mean, I did apply for a job in northern Norway a wile back. The application deadline in on Monday (second round) and I am expecting to be called up, mailed or something like this asking me to come to a job interview -- again. So you see, I hope to be able to work on vermitlung and developing new concepts rather that writing.
-- or so I hope --

got to go, have to write that piece on that the Norwegian gallery wang will not be closed down, but they will probably step down their engagement considerably.



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