PHILIP 
The Novel, or rather a Novella if we are to believe the word count of Wikipedia...
More about the week that passed and the Novel/Novella later, here is the back cover
:

© David Reinfurt / Philipville

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PHILIP: let the games begin 
So, PHILIP, the work shop are on its way.
The first participants arrive to day, net is up, great working space (a bar) and sun. 14 degree Celcius - everything*s fine

The photo is taken by Heman Chong and
it is me (to the right) and Mark Aerial Waller, artist from London.


© Heman Chong

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Forgot: Unitednationsplaza 
M6 was cancelled. Nobody can deny that, but the ideas used in the making of are in circulation still. One of the largest onces are founder of e-flux : Anton Vidokle (hear radio-interview here (as a part of a project form the curator-students in Amsterdam last year)).

His project in Berlin explains itself as an exhibition as school: unitednationsplaza.

It sounds ok, but to be honest; same persons as through the whole 90*ies, just new context. Might be good, could also be a bit boring.

Because I really like the idea of the curatorial team, and I really like some of the projects that Vidokle has produced or organized as a part of e-flux. I wish him the best of luck this weekend and I hope that unitednationsplaza turns out good.



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Thinking Worlds 
Now, this I can like, a biennale that makes a canon of philosophy before the actuall exhibition with half a year! would love to be there, will check out what tickets costs.





"Thinking Worlds" - An International Symposium on
Philosophy, Politics, and Aesthetic Theory


Dates: November, 17th -18th, 2006
Place: Moscow, Polytechnic Museum

Co-organizer: The Federal Agency for Culture and Cinematography, The Moscow Biennale Art Foundation, Russian Institute for Culturology.

Speakers: Giorgio Agamben, Boris Kagarlitsky, Chantale Mouffe, Molly Nesbit, Jacques Ranciere, Mikhail Ryklin, Saskia Sassen, Bernard Stiegler.

The symposium "Thinking Worlds" starts off from the general idea of a biennial as a meeting place between different worlds, geographical, cultural, and professional, and extends this to fundamental questions bearing on the state of philosophy, aesthetic theory, and politics. The different "worlds" or spheres of philosophical reflection, that we find for instance in Kant`s division between the theoretical, the practical, and the aesthetic, have for a long time provided the philosophical reflection of modernity with its substructure. A fundamental questioning of the present must ask to what extent these three fields still exist as separate domains, what kinds of intersections exist between them, and if one of them can be seen as the foundation of the other or if we have to accept a plurality of parallel discourses. Thinking "worlds" would then imply a reflection on the unity and difference of these three domains, and especially so if seen in the light of contemporary politics. The question of whether there is one world that could serve as a promise for thought, or if it is an irrevocable condition that "Thinking Worlds" exists today only in the plural, is more pressing than ever.

Taking its cue from this historical framework, the symposium is divided into three subsections.

Philosophy and the construction of concept.
What is the role of philosophy in relation to the sciences and the arts? Should philosophy create new concepts, and if so, how should it relate to its tradition(s)? Does philosophy have an autonomy of its own, or does it relate only to the other spheres (science, politics, art) as a form of "reflection", i.e., occupying a second order position?

Universality, reason, contingency.
What happens to identity, citizenship etc, in a global world, and what challenges do these changes pose for how we conceive political theory?
- What are the possibilities under which the arts can engage or challenge our present condition?

The limits of aesthetics.
- How should we conceptualize contemporary art today and what tools
should be used to analyze it?
- What is the meaning of a term such as 2aesthetic theory" today (a concept that Adorno already judged to be outmoded at the end of his life), and is there place for the activity of critical judgment in a world that has been characterized as a "society
of the spectacle"?

The conference is organized by Joseph Backstein, Daniel Birnbaum, and Sven-Olov
Wallenstein, and will be moderated by Sven-Olov Wallenstein

Preliminary program of the Moscow Conference "Thinking worlds"
8 participants / 3 panels

1) Philosophy and the creation of concepts: Bernard Stiegler, Giorgio Agamben.
2) Universality, reason, contingency: Jacques Ranciere, Saskia Sassen and Chantal Mouffe
3)The limits of aesthetics: Molly Nesbit, Boris Kagarlitsky and Mikhail Rykhin

November 17
First day: two panels - 5 participants
10.00 -- 10.20 Opening of the conference
10.20 -- 11.00 first talk of the first panel (Bernard Stiegler)
11.00 -- 11.40 second talk of the first panel (Giorgio Agamben)
11.40 -- 12.00
Coffee break
12.00 -- 12.30 open discussion of the first panel
12.30 -- 13.10 first talk of the second panel (Jacques Ranciere)
13.10 -- 14.40
Lunch
14.40 -- 15.20
second talk of the second panel (Saskia Sassen)
15.20 -- 16.00 third talk of the second panel (Chantal Mouffe)
16.00 -- 16.30 Coffee break
16.30 -- 17.00 open discussion of the second panel

November 18
Second day: third panel – 3 participants + final discussion
11.30 -- 12.20 first talk of the third panel (Molly Nesbit)
12.20 -- 13.00
second talk of the third panel (Boris Kagarlitsky)
13.00 -- 13.20 Coffee break
13.20 -- 14.00 third talk of the third panel (Mikhail Rykhin)
14.00 -- 14.30 open discussion of the third panel
14.30 -- 15.00 Lunch
15.00 -- 17.00 final discussion

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seminar workshop in norway: A Framework for Modern Cultural Activism: Does Art Create A Public Sphere in Itself? 
Seminar and workshop, Saturday, Oct. 21, 10:30 AM -- 4:00 PM
The National Museum, 8th floor lecture hall. Kristian Augustgate 23.
Free entrance. Light lunch served.
Relevant texts can be downloaded in advance from the National Foundation for Art in Public Buildings' website:
click here
--the link does not work, but it came with the press release--

Program:
10:30 AM -- 11:00 AM: Coffee
11:00 AM -- 11:15 AM: Introduction by Cecilia Widenheim and Tone Hansen
11:15 AM -- 11.30 AM: Per Gunnar Tverbakk/Tone Hansen
11:30 AM -- 1:00 PM: Martha Rosler
1:00 PM -- 1:30 PM: Quick, free lunch
1:30 PM -- 2:15 PM: Cornelia Sollfrank
2:15 PM -- 2:30 PM: Short break
2:30 PM -- 2:50 PM: Ane Hjort Guttu,
2:50 -- 15.10 PM: Søssa Jørgensen
Discussion until 4:00 PM.

The seminar is organized by Tone Hansen, research fellow at the Oslo National
Academy of the Arts, and Cecilia Widenheim, Curator at Moderna
Museet (Stockholm) and responsible for the Norwegian Sculpture Biennial
2006, Oslo.

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